Month: March 2009 (Page 2 of 7)

New releases for March 24, 2009

Here are the new Blu-ray Disc releases for Tuesday, March 24, 2009:

The 400 Blows Criterion Collection
The Fast and the Furious Trilogy
Goldfinger
James Bond Blu-ray Collection: Volume 1
James Bond Blu-ray Collection: Volume 2
James Bond Blu-ray Collection: Volume 3
The Kite Runner
The Last Metro Criterion Collection
A Mighty Heart
Quantum of Solace
Things We Lost in the Fire
The Venture Bros.: 3rd Season
Watchmen: Tales of the Black Freighter
The World Is Not Enough

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Two more Bond movies coming to Blu-ray

Two more Bond movies, License to Kill and The Man with the Golden Gun, are set to arrive on Blu-ray Disc May 12 from MGM and Twentieth Century Fox Home Entertainment.

The new additions join recently released Bond on Blu-ray Disc catalog titles Dr. No, Die Another Day, Live and Let Die, For Your Eyes Only, From Russia with Love, Thunderball, Goldfinger, Moonraker and The World Is Not Enough.

Licence To Kill special features:

– Audio commentary featuring director John Glen and members of the cast
– Audio commentary featuring Michael G. Wilson and members of the crew
– Declassified: MI6 Vault – deleted scenes with introductions by director John Glen
– Vignettes, Documentaries and Featurettes
– Image Database Gallery

The Man With The Golden Gun special features:

– Audio commentary featuring Sir Roger Moore
– Audio commentary featuring director Guy Hamilton and members of the cast and crew
– Vignettes, Documentaries and Featurettes
– Theatrical Archive
– TV Broadcasts
– Radio Communication
– Image Database Gallery

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‘The Seventh Seal’ and ‘Last Year at Marienbad’ join Criterion Collection

Criterion today revealed the latest additions to Blu-ray Collection, scheduled for release this June. Joining the elite Criterion Collection are Ingmar Bergman’s The Seventh Seal (Det sjunde inseglet) and Alain Resnais’ Last Year at Marienbad.

The Seventh Seal
: Disillusioned and exhausted after a decade of battling in the Crusades, a knight encounters Death on a desolate beach and challenges him to a fateful game of chess. Much studied, imitated, even parodied, but never outdone, Bergman’s stunning allegory of man’s search for meaning was one of the benchmark foreign imports of America’s 1950s art house heyday, pushing cinema’s boundaries and ushering in a new era of moviegoing.

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